寶藏巖歷經居民的開拓建地、居住搬遷與藝術村的進駐，空間的使用權常伴隨著不同治理者的更替而有所變化，我們遙想在更早以前，「空間」的概念始於一個容納人與人相聚於此的機會，也因為人們圈圍了空間的範圍、得已經驗空間，才因此創造了更多相遇的可能。

「圓垣不絕」設置於寶藏巖國際藝術村的半樓廣場，從廣場上一道曾拆除一半而遺留的牆面破口，這個被保留至今日的破裂線條，彷彿連接了過去曾存在與當下的通道，喃喃絮語⋯⋯。我們試圖以這個現成的牆面與破口為起始，在藝術村中蒐集不同的空間線條，延續與修補，讓斷裂的時間與空間面能夠在廣場中被重新締結與串連：一個由缺口所構成的圓。

Having been through its early settlement period, resident relocation, and the establishment of an artist village, the rights to use the space at Treasure Hill have shifted along with different people who were in charge of the area, to look further back in time, the concept of “space” began when a group of people was brought together due to a certain opportunity, and certain areas marked by people and also spaces that peovide experiences are able to lead to more opportunities for people to meet.

Circle of fragments is installed on the Pagoda Plaza in the Treasure Hill Artist Village, on what still remains from a wall that was previously semi-dismantled. There is a gap, a crack which has remained till today, and it seems to habe become a passageway that links together the past with the present, as it stands there, murmuring and whispering… Attempts are made to depart from this existing wall and the crack on it and to collect different lines in various spaces throughout the artist village. We seek to extend them and repair them, and for the fragmented times and spaces to be reconnected on the plaza, for a circle to be formed from a crack.